Chronology of Water Giveaway

The getting people to follow your blog via giveaway is a trend right now. Particularly amongst the YA set. And, I have to say, I've found it to be distracting, annoying, and ickily self-referrential. And now, I find myself doing it too!

Okay, remember that Sunday night movie years and years ago, that was followed up by the regular movie that I think Sandra Bullock was in (amy g, help me out you cinemaphile, you). The conceit was a reporter doing an exposé on the inner workings of a Miss America contest, or some such. And in the midst of the participant observation, the reporter becomes "one of them." Remember? From the inside, she gets caught up, and finds that she's not as cynical as she thought? Maybe I'm misremembering. But I think she wins and she's really happy and all that.

You follow?

So, a couple of weeks ago I entered two author blog "win a book" contests. Social Media giveaways. And guess what? I won them both! Back-to-back priority mail envelopes in my mailbox replete with ... books! I was giddy. I was like a kid at a carnival who got the ping pong ball in the fishbowl. Like Sandra Bullock (or whoever) with the tiara. Damn, I loved seeing my name and the word "winner" next to it on those blog posts.

So I'm having my own giveaway. And, because my book is still a manuscript, it's not for my arc or reviewer's copy or anything, but I do want to generate some more followers for this and my Empress Chronicles blog, plus crow about a book affectionately called COW. So, I'm giving away a signed copy of the best book I've read this year. Which (full disclosure) happens to be written my good friend and workshop mate, Lidia Yuknavitch.

Here's a little bit about this fabulous book:

Chuck Palahniuk writes,

I've read this book cover to cover a dozen times. I am still reading it. And will, most likely, return to it for inspiration and ideas, and out of sheer admiration for the rest of my life.

Jeremy Russell says,

Reading Lidia Yuknavitch is like watching someone marking a map of America with black dots on all the toxic waste dump sites. You aren't quite sure how she knew to mark those particular spots, but know only that her aim is unerring.

So, here's what you need to do, to win a COW:
A. Tweet about this blog post
B. Facebook about this blog post
C. Become a "follower" of this or my Empress Blog or both
D. Add this blog, or my Empress blog to your blog sidebar
E. Comment below (which you HAVE to do to be eligible). Before you comment, add up your "entry points" based on how many of the things above you did.

1. Add up your entries and list them in the comments section (along with email address):
-> comment only = 1 entry point
-> follower = 1 extra entry point per blog follow
-> tweet or facebook = 2 extra entry points
-> blog or sidebar = 3 extra entry points

2. The contest will last until 9pm PST on Wednesday, May 18th. At that point, I'm going to assign all entry points a number, then spin the "random number generator" wheel. Winner of the COW will be announced on Thursday. I'll also be drawing runners up who will get swag gift packs! (I'm not sure yet what they'll be, but they'll be cool!)

Good luck!

soccer mom from hell

I've been a soccer mom for nearly 20 years. That's two decades of orange slices, shin guards and yelling at the ref. I've loved every minute. Number 30, below, is my youngest. The kid on the right, blue jacket, is my oldest, now 24.

So, yeah, I'm a sideliner, but I'm no stranger to the perils of competition from a non-vicarious standpoint. I did the equestrian thing. Ribbons and ratings and judges. Thank God none of my kids got into horses. I remember my father once, after I was eliminated in the cross-country phase of an event, making me go over and over the jumps on my exhausted quarter horse, Sweet William. Etched into my brain is my dad's sunburned and pissed off face, contorted and shrieking from the center of the field, "You take him over that hogsback again and again until it's as smooth as butter!"

I swore I'd never put that trip on my kids. Not me. I'd be a soothing, loving mommy with a Tupperware of homemade Tollhouse cookies. Win, lose, it wouldn't make a difference.

Ha!

It's an instinctual thing, the glee you get watching your kid when he's in the zone, racing down the field like a gazelle, arcing a ball over the keeper and into the upper vee of the net. And then there's the visceral reaction, when your son is pushed off the ball, cleated in the back, given a yellow card for reckless play (or in the case of my oldest, telling a ref to fuck off). Look up and down the sidelines next time you're at a youth soccer match. Watch the parents' feet shuffle as though they themselves plan on kicking the ball down the field. We can't help it, us soccer moms and dads.

So, mid-May is tryout time for club soccer. It's stressful, emotional, and in some cases just plain evil. My 12-year-old is looking at several teams. In his behalf, I've emailed coaches, queried parents of kids in other clubs, driven 20 miles in commuter hell while my son wolfed down a turkey sandwich and a piece of pie. Homework is on the back burner. The house is a wreck. Everything but jerseys and soccer shorts is filthy. Last night I brought home the crappiest Mexican food ever for dinner at 9:30, procured from a place that smelled of Mr. Clean and fryer grease.

Team A, the elite team, is interested in my son. Team B also. And Team C. He's 12! I've filled out reams of forms and waived scads of potential liability. Most afternoons the last couple weeks, I've stood at the side of various fields, like my father, hoping, in each and every session, my kid blows the other kids away. It's disgusting. And by It's I mean I'm.

So this afternoon, my son says, "I'm tired, I'm going to blow off the Team A tryout." And like the Mrs. Hitler I am I sternly pontificate, "Then how will you make an informed decision?"

He rolls his eyes. "I've made up my mind. I'm going to choose Team B."

"But what if Team B doesn't choose you?" I stammer. "You sure you want to burn your bridges?"

He has circles under his eyes, my boy. And he says, "Mom, I need a day off."

"Really? Well, okay, but you're not going to sit around watching i Carly. Finish your snack, turn off the tv and do your homework. Then take out the trash." Yup, I really said that, because in the parlance of the Timber's Army, No pity!

So then my son says, "How come whenever I don't do what you want you throw this chores stuff in my face?"

I sigh one of those long-suffering sighs. The mom version of the red-faced take him over the jumps command. Then I stomp upstairs and pour a merlot.

But in the wine-induced mellow that ensued, I realized a couple of things. My kid has figured out what he wants. He's made his mind up based on gut and experience. And, it's doubtful that the team he wants won't want him, but even if that's the case, who gives a fuck? So, chill, Mom! Enjoy the fleeting childhood of your youngest child. You got maybe six more years to scream at the refs. And then, perhaps, you'll get a little rest before it's time to be a soccer grandma.

Mum's Day

My most memorable Mother's Day took place about eight years ago. I was separated from my husband, and overwhelmed with piles of stuff, a rambunctious toddler, money issues, and a garden that rivaled a rain forest for its overgrowth and canopies of thorns. To say nothing of the various critters that lurked about.

My kids planned to take me out for brunch. Reservations had been made.

The day before, in a fit of overcompensating for months of neglect, I'd purchased some compost tea at a nursery, and sprayed it on my chickweed-filled lawn. It was a rare Saturday without a soccer game, and I spent the entire day with my hands in soil--digging, weeding, clipping. I'd slapped together a sandwich mid-day, and, unbeknownst to me, the microbes from the compost tea had taken that opportunity to migrate to a willing host. Sunday morning I woke up to the lovely sound of my gut rumbling, which quickly turned into vomit spray. I spent the day between the bed and toilet. So much for brunch.

It's taken me a long time to recognize my part in the dynamic of Mother's Day Fail. Our culture tells our kids that honoring your mother means feeding her. Hauling her ass somewhere nice, where she can be fancy and drink Mimosas. I bought into this over the years, accepting invitations to swell restaurants. My daughter has been particularly valiant and sweet in providing several excursions to various eateries about town. But, because I chose to have, essentially, two generations of children, the Mother's Day brunches have typically involved the usual time management responsibility of "fitting in" being honored amidst soccer tryouts, birthday parties, and once, a trip to urgent care because the rambunctious toddler had become a rambunctious 10-year-old who'd skateboarded his way to a sprained wrist. Happy Mother's Day, indeed!

So this year, my dear husband has arranged something for me. And it will take place late in the day, and I won't have to leave my house. The older kids are coming over for dinner. I don't have to cook it or clean up after it. And, in fact, this morning he's taken the rambunctious now 12-year-old skiing (yes, skiing. we've had a crazy snowy spring in the Cascades), and I get to read, write and have the house to myself for several hours. As much as I adore my children, solitude without obligation is a precious thing. The quiet of a Sunday--a true and delicious actual day off--is the best Mother's Day gift there is.

A truly AMAZING week

On the eve of TRW as well as the eve of my beach weekend with my loving husband, I must report the following extremely cool things that have happened this week.
1. I entered Amy Gesenhues' very first blog contest ever, and I won!
2. I entered Gretchen McNeil's "Possess" ARCs contest, and I won!
3. Erin Reel"s (The Lit Coach), interview about my Empress Chronicles blog is up!
4. My buddy Cheryl Strayed is reading The Empress Chronicles manuscript and mentioned it in her recent interview, posted here!

So what do you think, blog friends, should I head down to 7-Eleven for lottery tickets?

teapunk: the long dark teatime of the soul

I've written a book that doesn't fit all that neatly into any particular classification beyond young adult. THE EMPRESS CHRONICLES is part romance, part historical, part contemporary-issue, part mystery, part urban fantasy, part magical realism, part steampunk. Actually, what it might be more than anything is a modern fairy tale. But, there is a mood that I want to encapsulate with some sort of distilling and overarching word or group of words.

At my day job, this would be the perfect opportunity for a branding exercise we call a 360. Essentially, in our 360s, clients and their trusted advisers gather in a room, and, following an agenda, we trot the clients through a brainstorming session that results in clarity and goals and all sorts of cool stuff.

In lieu of a traditional 360, I did some poking around, and, Et Voilà, I found a curious emerging sub-genre known as teapunk. Conjuring a Victorian moodiness and a fantastical Alice and Wonderland element, teapunk celebrates tea culture with a nod to some of the Victorian stylization of steampunk. Some go as far to suggest teapunk is a wide embrace of 19th century culture generally.

But what I like most about teapunk, is the punk-- a hint of the contemporary part of the historical/contemporary duality. And, borrowing from the quick definition of steampunk (a genre that features anachronistic technology in the Victorian era), teapunk might be thought of as a genre that celebrates the mood of Victorian culture via interface with a contemporary perspective. Ok, I made that up. Maybe better would be to quote the facebook page (and I paraphrase): Take the SM out of steampunk and steep in the long dark teatime of the soul.

digital spring cleaning

Taxes? Check. The latest revision of my YA book? Check. Final disgorgement of huge bin 'o books husband set on my office floor? Check.

That's three major left-brained and/or clear-headed activities concluded in the last 48 hours. I'm gonna confess something here. Linear organization is not my strong suit. Sometimes I stand in front of a big, fat mess of odd and jumbled items and my brain just fires off like a pinball in a special bonus round.

I have adopted any number of compensatory strategies for this, including, surrounding myself with pictures of order, e.g. my screensaver feature the perfect symmetry of the Viennese Medical School my father attended; even the twigs emanating from the twin naked elms that flank the central building are identical.

Whenever my hard drive crashes, after I get done throwing stuff, I'm secretly glad because of the tabula raza thing. I get a brand new start, with the hope that this time I'll create files that make sense. I'll not put the document with the kids' social security numbers in a file cryptically called "dugoutisms," for instance.

But today I decided not to wait for the next virus, and get rid of a bunch of crap on my computer, and I started with my Firefox bookmarks. I just deleted them all. I mean, what was I thinking, bookmarking "how to build a snake feeding box" two years ago. Like I'd need that info again? And, I'm planning on following it up with creating useful Twitter lists, rather than the catch all: lit stuff. I mean, pretty much everyone I follow has something to do with literature.

Writers, do you have crazy filing systems for your work? What are your compensatory strategies?

lost and found

Here's a good story.

About a year ago a writing acquaintance, Steve Arnt, called me up out of the blue to ask if I was missing a particular book from my shelf. I drew a blank, because I have several hundred books: some on shelves, some in boxes, some in tubs.

He'd been looking for an out-of-print book by a writer named Peter Christopher. The book was called Campfires of the Dead, put out by Knopf in 1989.

"Yes, yes," I said. "I know that book. I have that book. I knew Peter."

"You certainly did have that book," he said. "It's inscribed to a Suzy V. That has to be you."

I was in Hawaii when I got the call, on a deeply-anticipated holiday, one my husband and I had planned for over a year. We didn't know when we planned the trip that our house would be on the market, and, in particular, that our house would be on the market with a flooded basement, and that we would need to retroactively permit an addition put on illegally by my ex-husband years earlier.

Why all of this is important to the story is, about a month before our trip, during staging and dismembering hell, in the worst real estate market in two decades, my current husband and I hauled three truckloads of "yours, mine and ours" crap from the basement. Lots of it mildewed, moistened, stinky and ruined. But some of it merely heavy and cumbersome.

What I'm getting at is that Pete's book, the one you see in the picture with the very personal, lovely inscription, was a casualty of the dysfunctional triage. Where did Steve Arnt find it? Goodwill.

Now, I've done a lot of stupid, irresponsible things in my life. Once, I left my four-year-old daughter locked in the car while I ran into a coffee shop for an espresso. A cop was at the car's window when I returned, two seconds from hauling me to some sort of bad parenting jail. Back in college, I often swam naked in a local reservoir, and often there were drugs involved, or alcohol, or both. I was a poor swimmer and prone, at that time, to anxiety attacks. Drowning was a real possibility. And I won't even go into all the usual post-adolescent hyjinks. But being careless with something as sacred as a rare book--a rare, personally inscribed book at that, is inexcusably egregious.

So anyway, what happened next was, I conveyed my embarrassment and thanked Steve, who had called me so he could return my book, finished my holiday, sold the house, moved into a new house, and failed to follow up with Steve about my Campfires of the Dead.

But last week, at Lidia Yuknavitch's Powell's reading, there, sitting full-faced across the room, was Steve. And guess what? He still, after a year, was eager to return the book to me. So, we met for coffee, and there, on the cafe table, was Pete's book, not one bit mildewed, water-logged or otherwise ruined. And I'd forgotten how lovely the inscription was, and how it referred to a particularly glorious summer in 1993 when I'd met him on the Oregon Coast during a writing workshop given by Tom Spanbauer, and that I had continually dropped food on my feet while we shared writing and nuthorns and laughs.

wherever you go...

So, I'm here, in my cinder block cell. Unpacked and ready to tackle the empress, and who should show up but my ex-husband and my son, who were in town for the day.

Oh, the irony, right? The one week without Carson, instead of staying home the whole time and barricading myself in my office, I drive 160 miles to this motel and I'm here 5 minutes before turning into "mom."

But here's the thing. If he hadn't shown up, I would have spent the first hour talking to him on the phone and wondering if he's bathed (he has a broken arm, so hygiene actually is a challenge), or done his math the right way, etc. To spare me dark fantasies of doom, he came tumbling forth, backpack, filth and all, so I could administer my "mom" tools, and send him packing down the road.

So now, I have no excuse. There's nobody watching basketball within earshot, I've had my microwaved soup, and there will be no whiskey until I've worked through three more chapters.

Tune in tomorrow--for now, I'm leaving the Internet! (Well, unless I need to do manuscript-related research or something...)

writing retreats. in the real world.

So I've never been to Yaddo or one of those places where writers sequester themselves all day and have baskets of lunch left outside their doors seemingly by elves.

I've never scuttled off, by myself, to an island or the woods or a ranch hundreds of miles from nowhere--though I do often vacation in those sorts of places with my family.

When I do go off on a solitary writing retreat, I prefer cheap motels. Typically, I book the largest room in the least expensive motel I can find. Space is important because I like to spread my work out on the floor, on my bed, on the couch, indeed, on any horizontal surface. I bring my printer, my research material, the latest printed draft, my notes, several of my favorite books, my thesaurus and my ten pound American Heritage Dictionary. My only requirements are free wi-fi and a bathtub.

I like the motel to be walking distance from a park and a bustling downtown area where I can walk for my morning coffee and nightly martini.

This coming week I have such an expedition planned. I head off to Bend on Thursday with three days' worth of supplies and all the aforementioned paraphernalia. Amid the myriad resorts and bed and breakfasts I'm staying at the EconoLodge where I've booked a suite, and I feel mighty smug about it all.

Writers, what's your dream retreat?

interface

Greetings, from the airport affiliated with one of the happiest places on earth. Really!

After five days at Disney World, I'm sane, rested, re calibrated and sufficiently dosed up on my Vitamin D. With an 11 yr old boy as the only kid in our party, there was no need to stand in insufferably long character lines, no Princess makeovers, no It's a Small World. Only had to do Dumbo once. And the teacups, just to make sure they still make me nauseous. Yup. Check. Onward.

Here at "The World," they have four significant parks, the best of which, imho, is Animal Kingdom. Shady lanes, zoo animals in convincing habitats and the usual Disney hyper attention to filth.

Yes, there's excess. Yes, there's bad-to-mediocre food for high prices, yes there's over-stim bordering on the ridiculous. They try to squeeze every penny out of you.

And yet.

In five days not only did I not swear (except for once when my computer bag toppled over), but I didn't hear anyone else swear, either. People were ultra-polite, friendly. Happy. The weather was perfect, perfect, perfect. We went to the Disney Cirque du Soleil (La Nouba), and if it wasn't the greatest show on earth, it was damn close. (Of particular acclaim were a troupe of little Chinese girls in an act called Diabolos. Breathtaking!)

So here we are, at the Orlando airport waiting for our flight home. While here I spent a bit of time with my Empress notes and outlined some new plot shifts--really looking forward to tearing back into the manuscript next week. Rested, happy and if not tanned, at least not anemic looking.

Got style? Check it out!

Ever have those totally vortex days? Like you're in a dream and quicksand is involved, and you open your mouth to scream and nothing comes out?

I've been working and writing and living at a somewhat chaotic pace. Work is gangbusters, lots happening in the writing life, my brain loops and loops at bedtime and I dream about the to-do list and all the unfinished business therein.

But fuck it. I'm going to Disneyworld in a few days. Taking the husband and the kid and we're getting on a plane with our Florida outfits, our mouse passes, our maps and whatnot. It's been raining that cold, pelting stuff since Christmas, the back yard is a full sponge. My kid broke his arm the other day. All our vehicles have "issues." I may need root canal. We haven't finished our taxes. The list of "woe is us" goes on forever.

Ah, but there are some intense silver linings. The writers in workshop are going great guns. Books are out, being sold, hitting the bestseller list. Last week I signed with an agent, and she very promptly sent along revision notes on my manuscript. I can't wait to have at 'em. Really, I feel like my life is on steroids. It's all so amazing, sometimes.

That's why, on this very vague and stressed out day, I put the real world aside and worked on my platform. What is that, you ask? Well, here's the short answer. Steampunk. Although my book isn't dyed-in-the-wool Steampunk, there are some Victorian time-travel elements. There's a magical locket. A diary. An empress-to-be. Corsets, lots of corsets.

While writing my book, I grew fond of the "dreaming the future in the past" motif, so much so that, today, I put together a little quiz on Steampunk Style. I beseech you: if you have 3 minutes, take it and let me know if you were properly entertained!

edges

One of the top benefits of living a pastiche work life is that it lends itself to the unexpected. Now, granted, that's not everyone's cup of tea, but I'm all about the surprises. A couple of years ago one such serendipitous adventure flew into my window. An artist by the name of Ted Katz, whose art is featured to the left.

Ted was writing a book, and he was looking for an editor to help him organize his "are they essays? Stories? Where do I go with them?"

"Let me see what you've got," I said.

Ted loaded me up with his binders: pieces he'd written over the years, sketches, interspersed with his fabulous pictures. We met, mapped, meandered. He had a title: The Studio Within.

Ted has been painting and teaching in one form or another for 50 years or so, and in that time he'd amassed a portfolio and a vita that would be a lot for five men. The first time we met, he spoke about students who would be awe-struck upon seeing his current studio: a clean-well-lit, glorious space built onto the mid-century house he shares with his partner. This frustrated him. "Most of my work was created on a card table sectioned from my living space by a shower curtain," he said. And then, emphatically, pointing to his solar plexus: "It comes from here. This is where the studio is."

Now, nearly two years later, Ted has finished and published his book. The Studio Within is a collection of 40 lyrical pieces-- personal essays that venture into the heart of the artist's journey. It's funny, heartbreaking, full of voice and life, and most importantly, the essence of Ted.

Today, Ted invited me on his collector's tour--a preview of his upcoming show at Butters Gallery. The paintings he unveiled (the one pictured above is part of it), celebrate the theme "edges," and by way of introduction, Ted wrote a new essay that explores the relationship between a painting and its viewer. In the same way that his paintings "are responses to forms created by light and energy, and the edges formed by their noises and silences," the relationship formed between audience and picture is a response to a particular exchange of energy, much of it silent. Personal.

I love that Ted is acknowledging and calling out this temple within. It's one of the most wondrous qualities of humanity, the occasion to linger in the space where one thing meets another. Like the happy accident of meeting and working with Ted, the edge between the "you" and the "me" of art is as mysterious as is it mercurial, and summed up well by the conclusion of Ted's "edges" essay, a lovely quotation by William Carlos Williams:

"Unless there is a new mind there cannot be a new line, the old will go on repeating itself with recurring deadliness: without invention nothing lies under the witch-hazel bush."

writing in the "new world"

I'm a little late to pipe in on the Amanda Hocking buzz, but I really like what she has to say in this post (thank you, Erin Reel, for directing my scattered attention to it!)

What I like in particular is the demonstration of how a "lowly" writer now has the power to set the record straight with nary a phone call or magazine interface. Hocking has a half-million page views and nearly 1,000 followers on her blog, and a choir of tweeters crowing in her behalf. She's honed her audience through sheer will, hard work, and savvy.

That she's the latest poster child for self-pub success not-withstanding, Hocking isn't all that different than other women who set their sites on a goal and exploited their natural sourcing ability and intuition, backed up with a solid strategy. Mrs. Fields and her chocolate chip cookies, remember her? Mary Kay and her drive to turn housewives into entrepreneurs. Amanda Hocking had a vision, a skillset, and the drive to see it through, and while her nay-sayers are pounding out cautionary missives throughout the blogosphere, she's parlaying her success while being careful not to kill the kernel of passion that fuels it.

It's easy to get side-tracked with all the media at our fingertips. Easy to get sucked in to burning cycles and spending our writing energy in secondary pursuits. Talking about writing instead of writing. Ahem. I have well-published friends who never read their reviews because of the derailing factor. I have writer buddies who don't tweet, or facebook or blog, deciding instead to use their time at the keyboard to enter the alternate universe. Other friends of mine are good at compartmentalization, and segment their day and exposure to Internet noise judiciously.

As for me, I'm a binge type. I use the energy of distraction to propel me into my line of flight, and then, when it works the way I like, I can glide in the zone for hours. This tiny talent is what keeps me from being truly ADD, I think. It's a state of hyper-daydream. A high. But, alas, it's not available to me every day, I have to carve space for it. Put it on my Outlook calendar.

What about you? Are you a multi-tasker (have your creative writing doc open while attending to e-mail and social media), or do you do one thing at a time?

chelsea cain launches the night season

Last night my family and I popped over to Powell's Books to hear Chelsea Cain read from her newly released "The Night Season." Like any proud extended family midwife type, I marveled at her ability to convey the mixture of emotions, excitement, exhaustion and presence that accompanies the launch of a book. (Here she is signing the umpteenth book of the night with her daughter dutifully handing out the swag.)

This is the fourth book in the Gretchen Lowell-Archie Sheridan-Susan Ward series (formerly known as the "Heartsick" series), and oddly, it seems like just three weeks ago that Chelsea announced to our writing group, "I'm thinking of writing a cheesy thriller."

In a world overflowing with would-be novelists and cliches of folks who dream of best-selling authordom, her claim never left a doubt in our minds. Like many of the writers in our group, Chelsea has that extraordinary combination of intelligence, tenacity, talent and will. The quadruple storm of qualities that allows the publishing industry to persevere in the face of economic ruin, technological explosion and a generation of kids who often won't read anything longer than a tweet.

As she said on the podium last night when asked how long she planned on doing this, "Until nobody shows up at Powell's." In other words, forever.

cool distraction of the day!

I word-clouded my manuscript with Wordle and "like" wins, "one" is in second place, followed by most of the characters' names.

rereading your work via a new medium

I know that agents and editors have been reading manuscripts (or fulls, as they're now called, apparently) on some sort of e-reader for years, but writers? Not so much. That's all changing, of course, thanks to the ubiquitous nature of tablets, Nooks and Kindles. So, not wanting to be left in the electronic dust, I bellied up to my own Amazon email and sent myself my manuscript, pdf'd and formatted to single space.

This was a leap of faith for me, I must confess. My wafer-thin Kindle, whilst much easier to tote on the plane to Arizona yesterday, seems to resemble a "book" as much as does a stone tablet, or a message-in-a-bottle, even. But when I slipped it out of a slim pocket of my satchel and slid the power button to on, and saw my pages illuminated in front of me, I have to admit, I felt somewhat delighted.

But here's the real take-away. Reading my book in its e-form, brought a whole new layer of intake. Like a former mentor had suggested in his counsel to read a manuscript in a new environment to take advantage of the sensual stimulation that ensues and sharpens the editorial muscle, viewing THE EMPRESS CHRONICLES through the interface of an e-reader filtered my "seeing" of it through a slightly alternate neural pathway.

My notes revealed new edits, and my overall impression of the book took on a larger context somehow--one separated a tad more from that of the creator.

And another cool function--because the Kindle offers a percentage read, I can more easily diagnose structure and plot points. Pretty cool, actually.

plotting like you mean it

So tonight at workshop, after everyone was settled in with their whiskey and Xanax and whatnot, I passed out my pages. It was a troublesome plot-filled chapter of Empress, one that never quite did its job and I was open, really open, to having it eviscerated and fixed. A tummy tuck, maybe. A little light brain surgery.

My group came through, as they always do, with aces. Money stuff. A slew of concrete solutions. And then it was Chuck's turn, and he asked, "Why do we put dogs in a story?" (I had two in this particular chapter.)

I stumbled through some lame possibilities:

Because they're cute?

Comic relief?

Emotional fodder?

Wrong. Wrong and wrong.

"So we can kill them," he said.

Ah, (palm-to-forehead smack), of course! And in my particular case, by poisoning the spaniels, I'd be killing two dogs with one stone: raising the stakes by foreshadowing a bigger death, and ending the scene on action rather than conjecture. Always a better choice.

Can't wait to wake up tomorrow and poison the pooches!

homage to men. Yup, men.

Men. can't live with 'em, can't live without 'em.

Actually, I can more than live with men. Good men make it possible for me to do what I do best and know that the leaves will be raked, the oven fixed, the bathroom wallpaper scraped off and my car kept in good running order. Oh, and it was men who bailed me out of my pc virus debacle last week, and more men who introduced me to the wonders of Mac as backup. There's even a man doing my laundry right this very minute!

I love men! Here I am, scything through my social media obligations, my research, my e-missives and my work orders--none of which would be possible without the good old y chromosome.

Just thought I needed to get that off my br...um...chest.

will digital surpass print by 2014?

I read a report today claiming that by 2014 e-books would surpass print books. The numbers and stats and newsy-news about digital media is coming in faster that warp speed. If the typos and grammatical errors in the aforementioned piece are an indication of what might happen when the speed of publication becomes more important than the craft behind the content, we readers and writers are in for a cold water dunk.

I've been most interested in e-book outfits that seem to walk the careful road when it comes to digital pub, and I really like Jane Friedman's approach at Open Road. Open Road is creating a bridge between old sensibilities and new form, which I think is important for old-schoolers like myself. Now that some 10.5 m folks have e-readers, the door is open to a variety of approaches to get those readers' attention.

I also like the speculation that indie bookstores are getting a leg up as the big box guys go down, mostly because indies have always nurtured community and the digital landscape of social media has given them more tools, more ways to get the word out.

I still wish my Kindle weren't so freakin' ugly though.