Carson's away at camp this week, so Kirk and I are indulging in nightly episodes of NetFlixed Weeds!
Monday, July 06, 2009
Wednesday, July 01, 2009
A Cube of One's Own
This is the third space I've occupied since officially hanging a shingle as a freelancer, and the first space that is truly my very own. Really! This is my first unshared piece of real estate in my entire life. I'm sitting here, alone, feeling the warmth of a hot summer sun setting through the window to my left, and typing slightly self-consciously--unsure, exactly, how to bask in this good fortune. I feel somewhat giddy. A bit unworthy. Though mostly gleeful.
Tuesday, June 30, 2009
mixing it up
It was an unparalleled chick night, I must admit. Me and the sensory stim. My book, the inspiring prose of others, the conundrums of Paul Weston. All this on the heels of an evening visit to my gym, where I worked out on the eliptical, swam in the saline pool and hot-tubbed my stiff joints.
I must report that I am at last satisfied with my chapter one rewrite of TSTL, and I am channeling that voice throughout the 265 pages I've written. No easy task, but I will stay in the moment of victory a bit longer before the hand slaps the forehead.
Still miss my husband and the kids, but am glorying in the good fortune of solitude.
Monday, June 29, 2009
no more excuses
Last night I bid my husband farewell for the week, and sent him on his way down the road, where he will spend five days in the woods teaching teachers how to teach ecology.
My young son is with his dad.
My two older kids are busy moving from their respective apartments to new apartments.
In short, except for Opal, my very independent cat, my house is mine and mine alone.
My ambitious goal this week is to finish my damn book. Okay, I shouldn't say damn. But I will, because I'm angry with it. As if its a lover who has betrayed me--even though I'm the one who keeps cheating on it with other projects. It's as if my novel has let itself go, and I've used that as an excuse to keep my distance. "Yeah, well," I say to it, boldly avoiding "I" statements or other forms of psychological diplomacy, "You haven't been pretty enough lately. You've waned from my lust. You just can't compete with the more outgoing, expansive, daring things on my plate. It's all your fault."
Ah, but.
If only.
Yeah, right.
The truth is--and I'm reminded of this every Thursday when I sit at the table with my more dedicated colleagues--I'm the one who is straying. Call it lack of confidence. Accuse me of lack of ambition. Turn the finger of blame to me, and me alone, for I'm the one who engaged in benign neglect, who allowed TSTL to lapse off of the queue of "recent documents."
Oh sure, there's work and obligation etc, etc, etc... BUT, I am now feeding Carson's pet snakes before writing. I am sorting boxes of rubbish before writing. I'm obsessing over a slightly odd sound in my transmission and thinking about repainting my perfectly serviceable living room. Not to mention that the flat, red NetFlix envelopes filled with "In Treatment" episodes stare at me each time I pass the inbox.
Enough.
I shall report daily on my actions to correct my bad behavior. I only hope my novel will have me back.
My young son is with his dad.
My two older kids are busy moving from their respective apartments to new apartments.
In short, except for Opal, my very independent cat, my house is mine and mine alone.
My ambitious goal this week is to finish my damn book. Okay, I shouldn't say damn. But I will, because I'm angry with it. As if its a lover who has betrayed me--even though I'm the one who keeps cheating on it with other projects. It's as if my novel has let itself go, and I've used that as an excuse to keep my distance. "Yeah, well," I say to it, boldly avoiding "I" statements or other forms of psychological diplomacy, "You haven't been pretty enough lately. You've waned from my lust. You just can't compete with the more outgoing, expansive, daring things on my plate. It's all your fault."
Ah, but.
If only.
Yeah, right.
The truth is--and I'm reminded of this every Thursday when I sit at the table with my more dedicated colleagues--I'm the one who is straying. Call it lack of confidence. Accuse me of lack of ambition. Turn the finger of blame to me, and me alone, for I'm the one who engaged in benign neglect, who allowed TSTL to lapse off of the queue of "recent documents."
Oh sure, there's work and obligation etc, etc, etc... BUT, I am now feeding Carson's pet snakes before writing. I am sorting boxes of rubbish before writing. I'm obsessing over a slightly odd sound in my transmission and thinking about repainting my perfectly serviceable living room. Not to mention that the flat, red NetFlix envelopes filled with "In Treatment" episodes stare at me each time I pass the inbox.
Enough.
I shall report daily on my actions to correct my bad behavior. I only hope my novel will have me back.
Wednesday, June 24, 2009
summertime schedule
The solstice arrived Saturday in its typical Pacific Northwest fashion. Cold, rainy and gray. But the dreariness didn't eclipse the spirit that gets unleashed every June 20th--a feeling of amorphous boundaries, day bleeding into night in long, subtle strokes.
Like most Geminis, I love summer. The month of my birth heralds mercurial sprites, new ideas, life-changing conversations in the Jacuzzi. Since I married a fellow Gemini, that particular energy has quadrupled around our house--putting the active 10-yr-old to shame almost. Oh, you should see us frolic in the garden at 10 p.m.--gathering ripe berries and weed-whacking the tall grass and watering the basil while we plan the next great escape, remodel or potluck.
Work gets done, too. In jaggedy fits and starts, stuttering to an end by midnight, my laptop blinking low-battery caution as I've unplugged it to free myself from the typical sit-down workstation drudgery.
It's all so lovingly chaotic, life in the summertime. And The Secret to Love looms ever more clearly in my head, notes on scraps of paper, tidbits of dialog. Ah--but to sit in my seat for hours to get it all out in a cohesive chunk--there in lies the rub!
Like most Geminis, I love summer. The month of my birth heralds mercurial sprites, new ideas, life-changing conversations in the Jacuzzi. Since I married a fellow Gemini, that particular energy has quadrupled around our house--putting the active 10-yr-old to shame almost. Oh, you should see us frolic in the garden at 10 p.m.--gathering ripe berries and weed-whacking the tall grass and watering the basil while we plan the next great escape, remodel or potluck.
Work gets done, too. In jaggedy fits and starts, stuttering to an end by midnight, my laptop blinking low-battery caution as I've unplugged it to free myself from the typical sit-down workstation drudgery.
It's all so lovingly chaotic, life in the summertime. And The Secret to Love looms ever more clearly in my head, notes on scraps of paper, tidbits of dialog. Ah--but to sit in my seat for hours to get it all out in a cohesive chunk--there in lies the rub!
Sunday, June 14, 2009
let's talk about amazing
On Thursday she was identified from a field of over one thousand graduates and awarded one of seven commendations for her outstanding service, scholarship and dedication. Though she laps me in so many ways, the one comment that touched her most was when the presenter of the award mentioned her strong writing skills.
Like many bright young people who later go on to make writing a definitive part of their lives, Maggie always thought of herself as a "struggling writer." She would never share a draft of anything she wrote until she'd gone over it seventeen times and had others edit it. Even then, she would rather read it aloud than have me read it to myself.
The last major piece of writing she shared with me was the essay she wrote for her grad school application. I was blown away. At 20, my daughter knows how to effectively communicate her passion, tenacity and hope with spirit and grace.
At the risk of appearing to be much too much of a doting mother--I am deeply in awe of my little girl, and I can't wait to see what she does next.
Thursday, May 21, 2009
no is the new yes
Here is a little essay I wrote for a website today. I may actually start following some of my own advice!!
Has this ever happened to you? It’s late on a Sunday evening, your fourth-grader has a diorama titled “Inuit at Home” due the next morning and he’s just thrown a major tantrum and stormed into his room because the igloo he hastily glued together from sugar cubes has collapsed. There is a now pile of sticky confection on the floor. Your washing machine buzzes to alert you to move the wet clothes to the dryer. Oh, but wait! You promised to coordinate the soccer practice carpool this week. And, you need to prepare for a meeting at ten the next morning. Your child continues to wail from his room.
And yes, there’s more! On the work front a colleague has asked you to respond to her blog post. You’re behind on Twitter, Facebook and Email. Your iPhone beeps to remind you that you’ve double-booked a conference call with a client and a conference with your son’s teacher. Oops!
If you’re a working parent, this is an all too familiar scenario. Even if you’re not a parent, you can probably relate to much of the logjam described above.
When overwhelmed, my business partner used to say, “I’m running as fast as I can to stay in the same place.” Then, when things got worse, she changed it to, “I’m running as fast as I can to stay hopelessly behind!”
Let’s face it, we live in a time and in a world where multi-tasking is the default, and the expectation is that we’ll get it all done regardless of how much more gets put on the plate. We are over-committed. We’ve become a nation of work-bingers! Seriously, think of the tasks in your day as food items. Forget the three squares, we’ve got our hands in the bag of Cheetos, the box of Twinkies and wrapped around the Big Gulp. We’re constantly “eating” and getting limited nutrition.
Okay, enough with the metaphors. What I’m getting at is this. We’re organizing our days around quantity in favor of quality. We continue to say “yes” to everything because we think we’ll let someone down if we say “no.” I can handle it, says that little voice in our heads that doesn’t want to succumb to our limited capacity for quality production.
As co-owners of a communications company, BridgePoint Creative, my business partner and I were also guilty of this behavior. We’d say “yes” to every project, and many volunteer opportunities as well. One day, though, I accidentally said “no.” A graphic designer who often partners with me for Web work asked if I’d be interested in heading a PR campaign for a caterer on the East Coast (I live on the West Coast). For some reason, I hypotheticized the invitation, putting a client in my place, and realized, et voila! that the combination of skillset, location and other work made the likelihood of success a long shot.
“I don’t think I’m the right person for this,” I said, instantly feeling both guilt and relief as the words left my lips.
My business partner looked over at me in horror. As soon as I hung up the phone, I asked her, “What did I just do?”
“I think you said ‘no’,” she said, in awe.
Five minutes later, one of our favorite clients called offering us a huge e-mail marketing campaign. Just like that—no proposal, no bid, just “do it!”
It was one of the weirdest experiences because of the huge neon sign that flickered: When one door closes, another opens! Aha, but that door did not close on its own. When I began to chronicle the myriad ways in which opportunity knocks, I realized that often I’d prepared myself in some way to invite it. By shifting my consciousness to a place, or a space, away from chaos and obligation, I’d allowed more room for intention.
The thing about the hamster wheel, and why we often feel helplessly ambushed by the onslaught of external demands, is that we re-act instead of pro-act. Once we start “driving the bus” instead of being a passenger, we find that we’re less exhausted and often become the recipient of path-altering benefits.
Here are just a few gains we make when we become more discerning:
• The beginning of the end of “analysis paralysis” where a new energy can be harnessed and activated in a particular direction
• Clarity, resolve and peace of mind
• Concrete goals and steps toward those goals
• A strong idea of what needs to be excluded in order for goals to be obtained
So give it a try! Make like a two-year-old and start practicing the word “no”!
Has this ever happened to you? It’s late on a Sunday evening, your fourth-grader has a diorama titled “Inuit at Home” due the next morning and he’s just thrown a major tantrum and stormed into his room because the igloo he hastily glued together from sugar cubes has collapsed. There is a now pile of sticky confection on the floor. Your washing machine buzzes to alert you to move the wet clothes to the dryer. Oh, but wait! You promised to coordinate the soccer practice carpool this week. And, you need to prepare for a meeting at ten the next morning. Your child continues to wail from his room.
And yes, there’s more! On the work front a colleague has asked you to respond to her blog post. You’re behind on Twitter, Facebook and Email. Your iPhone beeps to remind you that you’ve double-booked a conference call with a client and a conference with your son’s teacher. Oops!
If you’re a working parent, this is an all too familiar scenario. Even if you’re not a parent, you can probably relate to much of the logjam described above.
When overwhelmed, my business partner used to say, “I’m running as fast as I can to stay in the same place.” Then, when things got worse, she changed it to, “I’m running as fast as I can to stay hopelessly behind!”
Let’s face it, we live in a time and in a world where multi-tasking is the default, and the expectation is that we’ll get it all done regardless of how much more gets put on the plate. We are over-committed. We’ve become a nation of work-bingers! Seriously, think of the tasks in your day as food items. Forget the three squares, we’ve got our hands in the bag of Cheetos, the box of Twinkies and wrapped around the Big Gulp. We’re constantly “eating” and getting limited nutrition.
Okay, enough with the metaphors. What I’m getting at is this. We’re organizing our days around quantity in favor of quality. We continue to say “yes” to everything because we think we’ll let someone down if we say “no.” I can handle it, says that little voice in our heads that doesn’t want to succumb to our limited capacity for quality production.
As co-owners of a communications company, BridgePoint Creative, my business partner and I were also guilty of this behavior. We’d say “yes” to every project, and many volunteer opportunities as well. One day, though, I accidentally said “no.” A graphic designer who often partners with me for Web work asked if I’d be interested in heading a PR campaign for a caterer on the East Coast (I live on the West Coast). For some reason, I hypotheticized the invitation, putting a client in my place, and realized, et voila! that the combination of skillset, location and other work made the likelihood of success a long shot.
“I don’t think I’m the right person for this,” I said, instantly feeling both guilt and relief as the words left my lips.
My business partner looked over at me in horror. As soon as I hung up the phone, I asked her, “What did I just do?”
“I think you said ‘no’,” she said, in awe.
Five minutes later, one of our favorite clients called offering us a huge e-mail marketing campaign. Just like that—no proposal, no bid, just “do it!”
It was one of the weirdest experiences because of the huge neon sign that flickered: When one door closes, another opens! Aha, but that door did not close on its own. When I began to chronicle the myriad ways in which opportunity knocks, I realized that often I’d prepared myself in some way to invite it. By shifting my consciousness to a place, or a space, away from chaos and obligation, I’d allowed more room for intention.
The thing about the hamster wheel, and why we often feel helplessly ambushed by the onslaught of external demands, is that we re-act instead of pro-act. Once we start “driving the bus” instead of being a passenger, we find that we’re less exhausted and often become the recipient of path-altering benefits.
Here are just a few gains we make when we become more discerning:
• The beginning of the end of “analysis paralysis” where a new energy can be harnessed and activated in a particular direction
• Clarity, resolve and peace of mind
• Concrete goals and steps toward those goals
• A strong idea of what needs to be excluded in order for goals to be obtained
So give it a try! Make like a two-year-old and start practicing the word “no”!
SUZY’S TOP TEN TIPS ON SAYING NO
- When someone asks a favor, pause before responding.
- Keep a small notebook and pen with you at all times.
- Start your day writing down the three main things you wish to accomplish by day’s end.
- Every time a new task is added to your day, write it on the same page as your top three, but underneath.
- Practice these words: “I’d love to talk more about this, but I’m going to have to cut it short today. Let’s schedule another time to talk.”
- Every month you should fill out a personal “intake” form. At the top of the form answer this question: “What do I never want to do again in my life.”
- Remember this: the right thing and the familiar thing are often different.
- Stretch out of your comfort zone at least once a week.
- Think of your day in a big picture way, rather than in ten minute increments.
- Stick to your guns! Don’t cave! Some people will make you repeat “no” several times before they get the message.
Wednesday, May 13, 2009
on transcending inertia
As I've posted many a time, I've always resisted staying in scene. I like to click along the horizontal--get my character out of there. Maybe, I'm beginning to think, it's a symptom of commitment phobia. Like--if I stay and explore, I might end up being beholden to something that'll make me have to give up my gadabout pace. My blithely swashbuckling through scene and into slick asides and away from trouble.
In this rewrite I'm doing of the first section of TSTL, I'm challenging my tendencies. I'm allowing myself to become bored in a scene. Staying there until I find something in the room, or in the air, or in one of the character's epiphanies that transcends the boredom. It's hard, but continues to reward me with the sort of prose that writes itself--eventually.
Patience is more than mere virtue. It's a fairy godmother.
In this rewrite I'm doing of the first section of TSTL, I'm challenging my tendencies. I'm allowing myself to become bored in a scene. Staying there until I find something in the room, or in the air, or in one of the character's epiphanies that transcends the boredom. It's hard, but continues to reward me with the sort of prose that writes itself--eventually.
Patience is more than mere virtue. It's a fairy godmother.
Monday, May 04, 2009
pep talk

The rains of May have arrived, and with them, a reprieve from the distractions of sunnier days. Can't mow the lawn, don't want to trudge out into the park for a hike, the ski hill has shut down for the season.
So, write, then, writer. Write amid the gray, the damp, the damned. Finish what you set out to do.
Friday, May 01, 2009
on trusting the voice
I've made what I think of as a bold move with my main character, Fifi. In an effort to court her, to make her my bff, I'm pulling her in, upping the tempo of her voice. Her place at the table is across from you. She's demanding that you look in her eyes, feel her, understand her. In short, you, the reader, has been hired as her shrink--well, okay, maybe not shrink, but, companion.
Sure, she's going to tell you about her family, but her family isn't going to eclipse her as much as in the first draft. Her family is the supporting cast. Fifi is the one. Fifi is the diva. Fifi is the one on the quest for the Secret to Love.
In taking this move, I've upset the apple cart. My colleagues, there at the table, are bewildered. What's with the tone? They want to know. Truly, they are not used to this character being in-your-face. It seems wrong. It's as if she just got a personality transplant.
This is a test. A writer must trust her vision and the voice of her character, even when the character gets that personality transplant. Okay, so now, instead of my sweet girl, you're this snotty adolescent. Fine. I'm on your bus. Take me somewhere.
Sure, she's going to tell you about her family, but her family isn't going to eclipse her as much as in the first draft. Her family is the supporting cast. Fifi is the one. Fifi is the diva. Fifi is the one on the quest for the Secret to Love.
In taking this move, I've upset the apple cart. My colleagues, there at the table, are bewildered. What's with the tone? They want to know. Truly, they are not used to this character being in-your-face. It seems wrong. It's as if she just got a personality transplant.
This is a test. A writer must trust her vision and the voice of her character, even when the character gets that personality transplant. Okay, so now, instead of my sweet girl, you're this snotty adolescent. Fine. I'm on your bus. Take me somewhere.
Wednesday, April 29, 2009
my new fan obsession: blazer radio
Here's Travis Outlaw being all pumped up in last night's clincher against Houston.
Great to see, but even better to hear. We're now in month two of our tv ousting, and really, the playoffs were my only regret. Until I started listening to Brian Wheeler and his trademark alliterative tagging of the opposing coach after significant Trailblazer runs. (E.g. After the Blazers 4th Quarter run, Adelman was characterized as "dejected, deflated and devastated!")
Wheeler's commentary is immediate, grabbing and entertaining. He doesn't miss a beat, and he takes in the whole picture, offering realtime tidbits from the bench, the court, the stands and the scoreboard. It sort of comes down to the power of storytelling, I think. The ability of a narrator to pan the landscape and zoom in on nuance and tension, without the aid of visuals. As Lorrie Moore once said in a lecture I attended, "the reason books are more powerful than tv, is that books cannot proceed without you." As a listener, your imagination, experience, emotional state and attention is called upon differently when you have to supply the picture.
The other thing about listening to a sporting event instead of watching one is that the dynamics of a household change. For instance, while we had both upstairs and downstairs radios tuned to 95.5 fm, we were engaged in several other activities. Me: doing dishes and relaxing on the couch; Kirk and Carson: cleaning and organizing his room in anticipation of his big birthday bash coming up this weekend. It was a sort of social multi-tasking, where we converged every so often to comment on Roy's flu symptoms or Scola's foul, or that steal Fernandez made. We all brought more to our interaction this way, each of us interpreting the game with what we were seeing in our respective heads, rather than what may have been on a collective screen.

Great to see, but even better to hear. We're now in month two of our tv ousting, and really, the playoffs were my only regret. Until I started listening to Brian Wheeler and his trademark alliterative tagging of the opposing coach after significant Trailblazer runs. (E.g. After the Blazers 4th Quarter run, Adelman was characterized as "dejected, deflated and devastated!")
Wheeler's commentary is immediate, grabbing and entertaining. He doesn't miss a beat, and he takes in the whole picture, offering realtime tidbits from the bench, the court, the stands and the scoreboard. It sort of comes down to the power of storytelling, I think. The ability of a narrator to pan the landscape and zoom in on nuance and tension, without the aid of visuals. As Lorrie Moore once said in a lecture I attended, "the reason books are more powerful than tv, is that books cannot proceed without you." As a listener, your imagination, experience, emotional state and attention is called upon differently when you have to supply the picture.
The other thing about listening to a sporting event instead of watching one is that the dynamics of a household change. For instance, while we had both upstairs and downstairs radios tuned to 95.5 fm, we were engaged in several other activities. Me: doing dishes and relaxing on the couch; Kirk and Carson: cleaning and organizing his room in anticipation of his big birthday bash coming up this weekend. It was a sort of social multi-tasking, where we converged every so often to comment on Roy's flu symptoms or Scola's foul, or that steal Fernandez made. We all brought more to our interaction this way, each of us interpreting the game with what we were seeing in our respective heads, rather than what may have been on a collective screen.
Thursday, April 23, 2009
good stuff
We interrupt this economic downturn to point out a few exquisite pieces of terrific news:
1. Many of my writing colleagues have just, or are in the midst of, landing terrific book deals
2. My daughter has just been accepted to a master's program she has worked very hard to be in
3. The gallery where I work, after experiencing recent hardship, is facing brighter days
4. So many of my entrepreneurial colleagues and artist friends are venturing forth with exciting work and new business
In short, for folks who continue to work hard and think outside the box, the future is bright.
1. Many of my writing colleagues have just, or are in the midst of, landing terrific book deals
2. My daughter has just been accepted to a master's program she has worked very hard to be in
3. The gallery where I work, after experiencing recent hardship, is facing brighter days
4. So many of my entrepreneurial colleagues and artist friends are venturing forth with exciting work and new business
In short, for folks who continue to work hard and think outside the box, the future is bright.
Monday, April 20, 2009
stepping back from the trees
Last week my very good and smart writer friend Cheryl, offered to examine the first part of my novel. She's seen much of the book in seven page increments (our page limit at workshop is seven, so we can get to everyone), but seeing the novel is a larger chunk gave her a whole other perspective.
We met at a tequila bar during happy hour, and for the next 90 minutes, over margaritas and tortilla chips, Cheryl and I talked about The Secret to Love. It was like meeting your child's teacher for a parent conference, when you know that the teacher loves your child, and that anything other than "Little Johnny is a talented, wonderful angel" was going to be constructive and offered in the spirit of: Now, what can we do to ensure that Little Johnny become president some day?
Seriously, having a trusted, smart colleague pore over your work and then offer a considered critique is far and away the best supplement you can add to your draft. In the case of TSTL, the upshot is, I need to restructure my conceit. When it comes to the "horizontal" of the book, instead of giving equal billing to backstory and ongoing narrative, I need to allow the backstory to inform the emotional drivers of the novel. The reader must become more rooted in Fifi's present world--more compellingly invited to the ongoing party. It all seemed so obvious, after two loaded margaritas!
Back to the drawing board with TSTL. Sort of. The good news is, pretty much everything I've written is keepable, I just need to build slower scenes around it. My opening prologue, a wholesale adjunct, is now a scene with Fifi, her husband and her dog at the Portland airport, as opposed to backstory about characters that are not as crucial to the trajectory of the narrative.
Now, on this sunny Monday morning, I must return to them, my little trio, and gear up the engines for this line of flight.
We met at a tequila bar during happy hour, and for the next 90 minutes, over margaritas and tortilla chips, Cheryl and I talked about The Secret to Love. It was like meeting your child's teacher for a parent conference, when you know that the teacher loves your child, and that anything other than "Little Johnny is a talented, wonderful angel" was going to be constructive and offered in the spirit of: Now, what can we do to ensure that Little Johnny become president some day?
Seriously, having a trusted, smart colleague pore over your work and then offer a considered critique is far and away the best supplement you can add to your draft. In the case of TSTL, the upshot is, I need to restructure my conceit. When it comes to the "horizontal" of the book, instead of giving equal billing to backstory and ongoing narrative, I need to allow the backstory to inform the emotional drivers of the novel. The reader must become more rooted in Fifi's present world--more compellingly invited to the ongoing party. It all seemed so obvious, after two loaded margaritas!
Back to the drawing board with TSTL. Sort of. The good news is, pretty much everything I've written is keepable, I just need to build slower scenes around it. My opening prologue, a wholesale adjunct, is now a scene with Fifi, her husband and her dog at the Portland airport, as opposed to backstory about characters that are not as crucial to the trajectory of the narrative.
Now, on this sunny Monday morning, I must return to them, my little trio, and gear up the engines for this line of flight.
Thursday, April 16, 2009
re-tweet
A few days into my Twitter experiment, I already want to quit. Or take a re-tweet (get it?). The feeling of being behind if I'm not checking my laptop or phone every five minutes is fracturing.
So I did, actually, take a re-tweet. Kirk and I played hooky yesterday afternoon and cruised up to our favorite off-the-grid destination: Mt. Hood Meadows--our skis in tow. On the way up, we both felt sort of out of our bodies: headachy, stomach-achy, general malaise. With his mother currently weighing 82 pounds--and lingering with this grim diagnosis of debility and decline--and my 71-year-old father and his rapid-fire matrimonial hyjinx, my ex-husband's lack of reliability regarding the fiscal and custodial terms of our divorce, the publishing crisis and my dwindling chances of finding an editor interested in my novels, the impending ax in Kirk's school district promising pink slips to 25% of the teachers come next month, the large-scale economic shadow of doom generally--all of this felt packed into our bodies, tamped down with the weight of another damp, gray day in the Pacific Northwest. So, on this IRS red-letter day, we went skiing.
Despite the parting clouds, the fresh snow and the calm winds, Meadows was a ghost town. A skeleton operation with only a handful of lifts operating. I had new equipment I was testing out for possible purchase, and Kirk had waxed his skis, so we went slow, took the easy runs: up and down, up and down.
By the fourth run, I felt terrific. The aches and pains had dissipated with the clouds, the new skis were amazing. Kirk was having a bit more trouble though. The uneven wax on his old skis were sticking in the slushy snow, and he actually fell a few times--a very rare thing for him.
We took a break, went to the lodge, and I ordered something with vodka--something I never do. I'm a sober skier--way too uptight to risk altered reflexes, but yesterday, all of the sudden, I felt in need of a stiff drink. Yes, in need of. (Cue the warning bells.)
So back up the mountain we went. And down. And up. And down. Kirk had a better experience, and my thimble full of vodka had absolutely no effect at all. Until we finished, and were heading back down to the valley, and the impending catch-up with work and Tweets and conference calls and absorbing news, and following up with stuff slammed into me and sent me scrambling for Excedrin.
But, I said I'd give it a month, and that's what I'm doing. Back to the fray. Follow me.
So I did, actually, take a re-tweet. Kirk and I played hooky yesterday afternoon and cruised up to our favorite off-the-grid destination: Mt. Hood Meadows--our skis in tow. On the way up, we both felt sort of out of our bodies: headachy, stomach-achy, general malaise. With his mother currently weighing 82 pounds--and lingering with this grim diagnosis of debility and decline--and my 71-year-old father and his rapid-fire matrimonial hyjinx, my ex-husband's lack of reliability regarding the fiscal and custodial terms of our divorce, the publishing crisis and my dwindling chances of finding an editor interested in my novels, the impending ax in Kirk's school district promising pink slips to 25% of the teachers come next month, the large-scale economic shadow of doom generally--all of this felt packed into our bodies, tamped down with the weight of another damp, gray day in the Pacific Northwest. So, on this IRS red-letter day, we went skiing.
Despite the parting clouds, the fresh snow and the calm winds, Meadows was a ghost town. A skeleton operation with only a handful of lifts operating. I had new equipment I was testing out for possible purchase, and Kirk had waxed his skis, so we went slow, took the easy runs: up and down, up and down.
By the fourth run, I felt terrific. The aches and pains had dissipated with the clouds, the new skis were amazing. Kirk was having a bit more trouble though. The uneven wax on his old skis were sticking in the slushy snow, and he actually fell a few times--a very rare thing for him.
We took a break, went to the lodge, and I ordered something with vodka--something I never do. I'm a sober skier--way too uptight to risk altered reflexes, but yesterday, all of the sudden, I felt in need of a stiff drink. Yes, in need of. (Cue the warning bells.)
So back up the mountain we went. And down. And up. And down. Kirk had a better experience, and my thimble full of vodka had absolutely no effect at all. Until we finished, and were heading back down to the valley, and the impending catch-up with work and Tweets and conference calls and absorbing news, and following up with stuff slammed into me and sent me scrambling for Excedrin.
But, I said I'd give it a month, and that's what I'm doing. Back to the fray. Follow me.
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