The 3-day Twitter-thon is over, and, frankly, I'm glad.
Moody's "Some Contemporary Characters" told via Twitter in 10-minute increments during three work days in a row proved to be somewhat like a sexy character sketch with a smart first act arc, and an ennui-riddled ending.
The characters themselves were not contemporary, really, but the modes surrounding their "hook-up" and the props and, of course, the medium of the message were all very modern.
What worked terrifically well were the tweet-to-tweet POV shifts. Better than white space on a page, the temporal cadence of 10 minute pauses between micro-narratives had an interactive component. The "reader" had time to imagine the retort of the other party, and more frequently than not, Moody thwarted that expectation with the lyrical interjection of enjambment. Not always, but enough to get your attention.
I have to admit though, I felt like a misbehaving high school student when meeting with a client with my phone blurping out the announcement of a new message continually. And if a half-hour or, God forbid, 45 minutes went by without me checking for recent installments, I felt behind--which is my big argument in opposition to Twitter generally.
The big question is, is this prelude to more of the same, or simply a passing fad.