Here I am, a glass of rose by my right hand, next to my mouse. Yes, I'm writing under the influence. Can't help it. In the tradition of all drunken writers: Falkner, Carver (okay, he got sober), Yates, I'm resorting to alcohol to finish this fucker.
Reason why? It's headed into some scary, dark material. The realm of creepiness. It's hard to see Frances go through the revelations she must endure in these final chapters. Today I had to break it to my main character that her beloved had kept a life-long secret from her, as did her brother. She has been left to steer the family wreckage, her husband having long abandoned her, and her job on the line. It's all so very sad for poor Fifi. And there's no time to give her a lover or a great career. She's left sopping up the muck, and now I must prepare for the last scene. The scene I wrote and rewrote in my mind a hundred times--all the while trying to avoid the inevitable.
Somehow this final scene, in addition to destroying the sacred, must also point to redemption. To an unknown future of fulfillment and happiness. Not happily ever after, exactly, but risk and reward.
Ah--put the glass of rose down, Suzy. Go to bed. Wake up early and get it done. If you don't the natives are ready to scalp!
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